Interview with Pat Esden – Reach For You

Give a warm welcome to Pat Esden, author of  Reach For You, book three of Dark Heart  Available for pre-order now, release on June 27, 2017! Don’t miss the rafflecopter at the end of this post.

Pull up a chair, grab a drink of your choice from the cooler, a Chocolate Chip or Peanut Butter cookie from the plate, and let’s find out a little about Pat Esden and Reach For You.

Hi Tena, Thank you for interviewing me today. I’m excited to be here and to answer behind the scenes questions about REACH FOR YOU (Dark Heart, book 3).

My pleasure Pat.  Tell me, what inspired this particular story?

REACH FOR YOU is the third and final book in the Dark Heart series. The idea for it came to me when I began to brainstorm A HOLD ON ME (Dark Heart, book 1). I wanted the series to end with Annie, the main character, finding her HEA, but I didn’t want it to come easy. To me, the struggles Annie goes through in this book are both emotionally devastating, challenging, and the logical conclusion to the other books.

 Who is your favorite character of all of the books you’ve written and Why?

I don’t think I could pick a favorite. But one of the most fun characters to write in the Dark Heart series was Lotli. She doesn’t physically appear until the second book (there are hints about her in book 1). But once she appears, she brings out both the worst and best in Annie, the main character.  Lotli is mysterious and powerful. She’s a master of magic and manipulation. I enjoyed giving hints about her true past and powers. One of my favorite scenes in REACH FOR YOU is when the truth about Lotli is revealed—and that truth may just be more horrible than Annie suspected.

 Do you see yourself in your characters?

It isn’t something I consciously do, but there is probably a part of me in every character. A lot of Annie’s reactions to Lotli are emotions that I’ve felt at one time or another. Other characters have qualities I admire, like Chase’s selflessness (though in his case it gets him in trouble).

 Where do your story ideas come from? If they come to you in the middle of the night, do you get up and write them all down?

My story ideas usually do start as flashes of scenes or lines of dialogue. I’m more likely to get those while driving and listening to music. I keep pens in my car and in my bag, along with notepads.

When I deep into drafting or revising a novel, I get a lot of ideas when I take a break from my computer. Walking the dog, showering, taking a nap—they all work equally as well. As far as in the middle of the night goes, yes. I used to keep a pad by the bed, but now I’m even more careful to not lose those flashes of inspiration. I’ll turn on a light and write things down at my desk or sometimes even turn on the computer and open a fresh document. What probably irritates me the most is when I work on a tough section of a project until I’m exhausted, then I go to bed and fall asleep only to have the solution come to me ten minutes later. Why couldn’t it have come to me before I crawled into bed?

 Why do you write what you write adult contempoary paranormal and fantasty? 

I love the idea of magick being real. I like taking the mundane day to day life and turning it into a grand adventure where anything is possible. I also love a hard-earned HEA.

How about a little about Reach For You?

Her passion is her greatest weakness. His legacy is his prison. To reunite, both must fight the demons within.

A world of deception and danger separates Annie Freemont from her mother—and from Chase, the enigmatic half-ifrit with whom Annie’s fallen in love. But she vows to find her way back to them, before Chase succumbs to the madness that threatens his freedom. The only person who can help is the magical seductress, Lotli, a beautiful, manipulative woman . . . a woman who has disappeared.

Annie must stay strong, even as the future she imagined is slipping away. With the help of family and friends, she discovers that Lotli is being held against her will, by those who want to exploit her powers. But though weakened, Lotli remains a powerful alley and adversary. A bargain is struck. And now Annie’s only chance to rescue Chase could also tear them apart . . .

Loyalties will be tested, walls will be breached, and enemies will be fought, yet Annie’s greatest battle lies within her own heart—to trust her love for Chase to overcome its greatest enemy, and to save those she holds most dear from the terrifying realm of the djinn . . .

Amazon     BN       Kobo      Indie Bound

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May 28- July 2

Book 1- A Hold On Me – On Sale for $2.99

Book 2 – Beyond Your Touch- On Sale for $3.99

 

 

 

 

 

 

 

 

Chapter 1

We journey. Ceaseless and hungry.

Carved into stone tablet. Tenerife, Spain

The campsite was ominously silent. Then a breeze lifted and my ear caught the faint clank and rattle of the bones and knives hanging in the pine trees behind us.

“You don’t think they’re both dead, do you?” Selena whispered.

I scanned the dilapidated camper ahead of us, a do-it-yourself RV created out of an old bread truck. Despite the midafternoon warmth, the doors were shut tight. The tent behind it, barely visible from our angle, bowed under the weight of rain that had pooled in its canopy. There was no campfire smoke. No trampled grass. In comparison to when we’d come here last week, the place looked deserted.

Goose bumps pebbled my skin. I gave the camper another once-over. “Zea was really old and sickly. He could have died—or if the kidnappers came here first looking for Lotli, they could have found him. They might have—”

Selena cut me off with a glower. “You mean, supposed kidnappers.”

My jaw clenched. Yeah, that was exactly what I meant. I understood why my cousin didn’t like that everything we’d discovered pointed to her boyfriend, Newt, being involved in Lotli’s disappearance, and perhaps Zea’s as well. But I thought we’d gotten past that, like a bunch of times already.

I swiveled toward where we’d parked our Land Rover. The Professor stood rooted next to it, a mixture of disgust and apprehension crinkling his face. From his scholarly glasses and sandy brown hair all the way down to his polished loafers, he looked anything but ready for our reconnaissance trip out here on the back roads of Down East Maine. An afternoon of research at Oxford University would have been more appropriate. “You want to check inside the tent while we look in the camper?”

His gaze flicked to the soggy tarps. He cleared his throat, then—as posh as ever—said, “Don’t get me wrong, I’m not totally against the idea. But the thought of discovering a rotting corpse is a teensy bit abhorrent.”

“Would you rather discover one in a closed-up camper?” I snapped. It was lucky we’d driven into the campsite from the main road instead of walking like we’d done the last time.  I’d assumed the Professor had an adventuresome spirit to go with his young Indiana Jones good looks. Especially since he was an archaeologist, though this summer he was tutoring Selena’s eleven-year-old brother as a favor. Still, and despite how eager he’d seemed to come with us, the Professor had freaked the second we started past the creepy stuff Zea and Lotli hung in the trees to scare people off: the knives and bones, pieces of copper pipe, broken mirrors, and doll parts. Frankly, I was surprised he’d even gotten out of the Land Rover at all.

I pasted on a smile. “Sorry. I don’t much care for the idea myself. Let’s just hope he’s napping or something.”

The Professor wiped his hands down the sides of his chinos. “I truly hope you’re right.”

As he headed for the tent, I tramped toward the camper with Selena close behind. If only Chase were here now. The creepy stuff hadn’t bothered him at all, and the fear of Zea being dead would have only driven him forward faster.

My chest tightened, my longing for Chase aching inside me, raw and unrelenting. If it weren’t for me, he would be here now. Instead, both he and my mother were trapped in the djinn realm, prisoners of his father, Malphic. If it weren’t for me, Lotli wouldn’t be missing either.

“Well?” Selena jerked her head at the camper door. “Are you going to just stand there?”

I raised my hand and knocked. One second passed. Two seconds. I rapped harder. Nothing. I tried the doorknob. It turned beneath my grip. I opened the door a crack, hesitated, and took a deep breath before pushing it open all the way.

A wave of hot, musty air rushed past me as if the camper had been closed up for days.

“Hello?” I said, sticking my head inside. I gave the air a cautious sniff. No dangerous odors, like a leaky gas stove, permeated the air.  No rotting-trash smell—or decomp.

Selena nudged my shoulder. “What are you waiting for?”

I swallowed hard and stepped forward.

The place was cramped, a gypsy wagon on steroids. Tassels and prisms curtained the windows, letting only faint streaks of light inside. Miles of fuchsia and turquoise fabric draped the ceiling and walls. Animal skulls, feathers, and nubby candles clustered inside miniature altars. The fridge, table, and chairs, every surface that wasn’t fabric covered, was painted purple or black. Stars decorated the ceiling. An antique bed piled with crimson quilts and an avalanche of pillows took up the camper’s entire backend. It was cozy enough, I supposed. But I couldn’t begin to imagine what life had been like for Lotli, apprenticed to Zea as a child because of her magic abilities, essentially indentured. Not that I thought a devout shaman like Zea would have been cruel to her. It was just so different from anything I’d experienced.

“Zea, are you here?” I called out. “We need to talk to you about Lotli.”

I minced my way deeper into the cramped space, working my way toward the back of the camper. Cold sweat carved a trail down my spine. I crept past a tiny kitchen and dining nook, then the bathroom—one toothbrush in the holder, a washcloth draped over the edge of a yellowed sink.

I returned to the front of the camper and pulled aside the curtain that divided the living area from the bread truck’s cab. Seats for the driver and a passenger, seashells glued to the dash, insulated coffee cups in the holders—

Something brushed the back of my neck.

I yelped and jumped sideways, whipping around to see what it was and smacking my elbow against the wall. Pain zinged up my arm. I glared at Selena, standing barely an inch behind me.

“Shit,” I said, rubbing the sting from my arm. “You scared the hell out of me.”

She gave me a sheepish pout. “Sorry. I thought you knew I was there.”

“I didn’t think you were that close.” It wouldn’t have hurt half as bad, except I was already sore and bruised from being thrown out of the djinn realm earlier in the day.

Her pout transformed into a smug smile and she flipped her blond hair over one shoulder.  “Looks to me like Zea and Lotli might have pulled a vanishing act after all. Huh?”

I stopped rubbing. “Or the Professor’s about to find something disgusting in the tent.”

“Want to bet?”

I closed my eyes, struggling to regain my composure. We couldn’t afford to waste time discussing the same thing over and over again, any more than I could have afforded the luxury of staying home to nurse my aches and pains. Chase and Mother were in danger. And I couldn’t go back to the realm and rescue them until we found Lotli. Without her and her flute-magic, it would be too risky, perhaps even impossible to enter or escape from the realm.

I shoved past Selena and strode to the tiny bathroom. “While we’re here, we should find something personal of Lotli’s that you can use to scry and see where they’re holding her.”

Glancing around, I spotted a scruffy hairbrush. You couldn’t get much more personal than that. I grabbed it and brandished it toward Selena.

She stood just inside the bathroom doorway, hands on her hips, eyes narrowed. “Cut it out, Annie, I’ve had enough of you talking like Newt kidnapped Lotli, the innuendos and little jabs. Maybe his family’s hiding something, but Newt doesn’t have anything to do with it. So quit acting like he’s evil, okay?”

I mirrored her stance. “He told you his dad was a stockbroker, that they owned their summer home. Those were lies. His brother is a registered creep. No matter what you want to think: Newt’s not innocent.”

She turned her back on me, her voice bordering on hysteria. “I don’t know why I bothered coming. You’re so, so . . . You always have to be right—” Her voice died and she slowly faced me. Angry red blotches mottled her face. But tears rimmed her eyes.

My anger drained. She didn’t look pissed. She was trembling like she was about to fall apart. Earlier today, when we’d first heard about the lies Newt and his family had been telling, I’d seen something in Selena’s eyes, something beneath her disbelief.

“What is it? Tell me,” I asked gently.

She raked her hands over her face. “Nothing. You just need to trust me. I know Newt couldn’t be involved. And he wouldn’t have let his brother do it either.”

I leveled my gaze with hers and toughened my voice. “What makes you so certain? Tell me the truth, Selena.”

Her chin quivered. “I just know.”

Tucking the hairbrush handle first into my hip pocket, I stepped closer. I pushed her hair back from her face. “You’re my cousin. Please. Tell me.”

“Nothing. He just wouldn’t do it. He loves me.”

“I get that. But—”

She shoved my hand away. “No, you don’t get it. I know he loves me. Like forever.”  Her eyes pleaded for me to understand what she couldn’t bring herself to say.

A possibility seeped into my head.  My hands went to my mouth, covering a horrified gasp. She couldn’t mean. She couldn’t have.  “What did you do?”

“I kind of—I put a . . .” Her voice faded and she looked down at the floor.

“A spell?” A month ago, the idea of witchcraft being involved would never have occurred to me. Now it seemed more than likely.

“You can’t tell anyone. Mom, Dad, Grandfather—they’d kill me.” She curled her arms over her head, her shoulders shaking as she crumpled down against the wall.

I crouched and put my arms around her. “Whatever it is, it’ll be fine. It can’t be that bad.”

“It is,” she sobbed.

About the Author:

Pat Esden would love to say she spent her childhood in intellectual pursuits. The truth is she was fonder of exploring abandoned houses and old cemeteries. When not out on her own adventures, she can be found in her northern Vermont home writing stories about brave, smart women and the men who capture their hearts.

An antique-dealing florist by trade, she’s also a member of Science Fiction & Fantasy Writers of America, Romance Writers of America, and the League of Vermont Writers. Her short stories have appeared in a number of publications, including Orson Scott Card’s Intergalactic Medicine Show, the Mythopoeic Society’s Mythic Circle, and George Sciter’s Cat Tales Anthology.

The first two novels in her Dark Heart series, A HOLD ON ME and BEYOND YOUR TOUCH are available from Kensington Books.  REACH FOR YOU (book #3 Dark Heart series) will be released June 27th. Her short story, Black as a Dark Moon, Scarlet as Sumac, will come out this September in the Fragments of Darkness anthology.

Website: http://patesden.com

Author Facebook: https://www.facebook.com/PatEsdenAuthor/

Blog: http://patesden.blogspot.com

Instagram: https://www.instagram.com/patesden/

Pinterest https://www.pinterest.com/patesden/reach-for-you-dark-heart-3/

Goodreads https://www.goodreads.com/book/show/32586694-reach-for-you

Newsletter: https://goo.gl/Ib0Kqy

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It was wonderful having you with us today.  Please feel free to stop by anytime. Good Luck with Reach for You!

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